Opis

• Title:
  Does the Artist Need to Be Present? The “Paradigm of Visibility” and Art Practices in Public Space
• Creator:
  Białkowski, Łukasz
• Contributor:
  The Pedagogical University of Krakow, ul. Podchorążych 2, 30-084 Kraków;
  lbialkowski@up.krakow.pl
• Description:
  The thesis of my paper is that art participatory practices in public space have a paradoxical potential to avoid a paradigm of visibility. What I call the paradigm of visibility is a formula of social presence of art which is based on a necessity of occupying a certain physical or symbolical space and an effort to sustain it. This kind of public presence of art is traditionally considered to be a guarantee of its value in terms of both artistic and social legitimisation. A question arises if this formula has an alternative. It seems that participatory art practices in public space – focused on production of objects and searching for social impact and social efficacy – can formulate a different model of presence of art (of its production and distribution) than object-based art.
• Object availability:
  Dostęp otwarty
• Rights:
  © Copyright by Authors, Łódź 2017; © Copyright for this edition by Uniwersytet Łódzki, Łódź 2017
• Date:
  2018.10.01;
  2017
• Type:
  Article
• Language:
  angielski
• Format:
  application/pdf
• Publisher:
  Wydawnictwo Uniwersytetu Łódzkiego
• Relation:
  Acta Universitatis Lodziensis. Folia Philosophica. Ethica-Aesthetica-Practica;30
• Subject:
  Marina Abramović;
  visibility;
  public space;
  artworld
• Identifier:
  0208-6107;
  http://hdl.handle.net/11089/25892 ;
  2353-9631;
  10.18778/0208-6107.30.08
• Data provider:
  Repozytorium Uniwersytetu Łódzkiego
• Can I use it?:
  poproś o pozwolenie
• Type:
  obrazy