Description

• Tytuł:
  Does the Artist Need to Be Present? The “Paradigm of Visibility” and Art Practices in Public Space
• Twórca:
  Białkowski, Łukasz
• Współtwórca:
  The Pedagogical University of Krakow, ul. Podchorążych 2, 30-084 Kraków;
  lbialkowski@up.krakow.pl
• Opis:
  The thesis of my paper is that art participatory practices in public space have a paradoxical potential to avoid a paradigm of visibility. What I call the paradigm of visibility is a formula of social presence of art which is based on a necessity of occupying a certain physical or symbolical space and an effort to sustain it. This kind of public presence of art is traditionally considered to be a guarantee of its value in terms of both artistic and social legitimisation. A question arises if this formula has an alternative. It seems that participatory art practices in public space – focused on production of objects and searching for social impact and social efficacy – can formulate a different model of presence of art (of its production and distribution) than object-based art.
• Dostępność obiektu:
  free access
• Prawa:
  © Copyright by Authors, Łódź 2017; © Copyright for this edition by Uniwersytet Łódzki, Łódź 2017
• Data:
  2018.10.01;
  2017
• Typ:
  Article
• Język:
  English
• Format:
  application/pdf
• Wydawca:
  Wydawnictwo Uniwersytetu Łódzkiego
• Relacja:
  Acta Universitatis Lodziensis. Folia Philosophica. Ethica-Aesthetica-Practica;30
• Temat i słowa kluczowe:
  Marina Abramović;
  visibility;
  public space;
  artworld
• Identyfikator:
  0208-6107;
  http://hdl.handle.net/11089/25892 ;
  2353-9631;
  10.18778/0208-6107.30.08
• Dostawca danych:
  Repozytorium Uniwersytetu Łódzkiego
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