Opis

• Tytuł:
  Ostensibly indirect narration in films and motion pictures
• Twórca:
  Marek Hendrykowski, Marek
• Opis:
  The article proposes the hypothesis that on the basis of analytical and interpretative practices, when describing, analysing and interpretating moving images, a dichotomous, binary division into objective and subjective images is a highly questionable move: it does not lend itself to an absolutely unequivocal resolution. In film, as in the field of moving images as a whole, there is no objective narration, just as there is no subjective narration. What emerges is an ostensibly dependent narration (or ostensibly independent), blending and merging both of these aspirations in diverse ways.
• Dostępność obiektu:
  Dostęp otwarty
• Prawa: https://creativecommons.org/licenses/by-nc-nd/4.0/
• Data:
  2019.12.15
• Typ:
  info:eu-repo/semantics/article;
  info:eu-repo/semantics/publishedVersion;
  Artykuł naukowy;
  recenzja;
  wywiad
• Language:
  polski
• Source:
  Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; Vol. 26 No. 35 (2019): A Wander through the Themes; 209-218;
  Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; Tom 26 Nr 35 (2019): A Wander through the Themes; 209-218;
  2720-040X;
  1731-450X
• Format:
  application/pdf
• Publisher:
  Adam Mickiewicz University Poznan
• Relation: http://pressto.amu.edu.pl/index.php/i/article/view/21978/21033
• Subject:
  narration;
  moving pictures;
  image;
  reality;
  fiction film;
  documentary;
  subjectivity;
  objectivity;
  communication;
  film;
  audiovisual culture;
  fiction film,
• Identifier: http://pressto.amu.edu.pl/index.php/i/article/view/21978
• Data provider:
  Platforma Otwartych Czasopism Naukowych UAM
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• Rodzaj zawartości:
  teksty