Opis

• Tytuł:
  Polish essays on painting and photography from the 2nd half of the 20th century in the light of reflections on the essay as a form (of writing, cognition, and experiencing)
• Twórca:
  Lisak-Gębala, Dobrawa
• Opis:
  Contemporary Polish essays on paintings and photographs (by, e.g. Z. Herbert, G. Herling-Grudziński, W. Karpiński, J. Pollakówna, E. Bieńkowska, A. Olędzka-Frybesowa, and W. Nowicki) are juxtaposed with the personal essay which was invented by Montaigne. A wide range of commentaries, including ideas about this genre which were expressed by Th. W. Adorno, G. Lukács, and G. Douglas Atkins, provide a theoretical background for the analysis. Selected Polish texts are presented as artistic constructions that recreate the process of experiencing pictures and the movement of thoughts of the essayistic “self” which uses many disguises (e.g. a traveler, amateur, scholar and critic). A particular painting or photo, which is often artfully described by means of ekphrasis, is treated by essayists as a starting point for analyzing many broader issues as well as for indirect self-presentation.
• Dostępność obiektu:
  Dostęp otwarty
• Data:
  2014.01.01
• Typ:
  info:eu-repo/semantics/article;
  info:eu-repo/semantics/publishedVersion;
  Artykuł naukowy
• Język:
  polski
• Źródło:
  Przestrzenie Teorii; No. 22 (2014); 55-69;
  Przestrzenie Teorii; Nr 22 (2014); 55-69;
  2450-5765;
  1644-6763
• Format:
  application/pdf
• Wydawca:
  Adam Mickiewicz University Poznan
• Relacja: http://pressto.amu.edu.pl/index.php/pt/article/view/3191/3202
• Temat i słowa kluczowe:
  esej;
  ekfraza;
  malarstwo;
  fotografia
• Identyfikator: http://pressto.amu.edu.pl/index.php/pt/article/view/3191
• Dostawca danych:
  Platforma Otwartych Czasopism Naukowych UAM
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