Opis

• Tytuł:
  raming and Narrativizing of Borders around the post- Habsburg Rijeka: Giovanni Comisso’s Il porto dell’amore and Viktor Car Emins Danuncijada
• Twórca:
  Bobinac, Marijan
• Opis:
  Between 1917 and 1923, as European continental empires were shattering after the lost world war and new nation-states were created on their ruins, several radical political-ideological movements emerged as well, employing various types of (para)military violence to achieve their goals. In the post-imperial context, (para)military violence was particularly employed in numerous conflicts over new boundary demarcations in the areas known as shatter zones (Bartov, Weitz, 2013) in former multi-ethnic empires, areas for which national activists had been disputing for decades. D’Annunzio’s occupation of Rijeka in 1919/1920 is considered one of the most significant examples of postimperial border conflicts. In this paper, two literary stagings of the border dispute around Habsburg Rijeka will be presented: Giovanni Comisso’s Il porto dell’amore and Viktor Car Emin’s Danuncijada, two very different, but thematically closely related reflections on D’Annunzio’s Fiume exploit.;
  U razdoblju između 1917. i 1923., u kojem se urušavaju kontinentalni imperiji i osnivaju nove nacionalne države, nastaju i brojni radikalni političko-ideološki pokreti koji propovijedaju i prakticiraju (para)vojno nasilje. U postimperijalnom kontekstu paravojno nasilje posebno se često primjenjivalo u sukobima oko iscrtavanja granica na područjima nacionalnih prijepora, u „trusnim zonama” (shatter zones, Bartov/ Weitz, 2013) bivših multietničkih carstava, teritorijima o kojima su se nacionalni aktivisti sporili već desetljećima ranije. Jedan od najpoznatijih primjera takvih graničnih sukoba nedvojbeno je D'Annunzijeva okupacija Rijeke 1919./1920. godine, događaj kojim je popločan put talijanskoj aneksiji grada 1924. U ovom radu bit će predstavljene dvije, u mnogočemu različite književne inscenacije konflikta oko iscrtavanja granica na riječkom području, zbirka pripovijedaka Il porto dell'amore (1924.) Giovannija Comissa i Danuncijada (1946.) Viktora Cara Emina.
• Dostępność obiektu:
  Dostęp otwarty
• Prawa:
  Prawa autorskie (c) 2025 Marijan Bobinac;
  https://creativecommons.org/licenses/by/4.0
• Data:
  2025.07.24
• Typ:
  info:eu-repo/semantics/article;
  info:eu-repo/semantics/publishedVersion
• Język:
  chorwacki
• Źródło:
  Poznańskie Studia Slawistyczne; No. 28 (2025): Boundaries in literature – setting, erasing and transgressing; 67-81;
  Poznańskie Studia Slawistyczne; Nr 28 (2025): Granice w literaturze – wyznaczanie, zacieranie i przekraczanie; 67-81;
  2450-2731;
  2084-3011
• Format:
  application/pdf
• Wydawca:
  Adam Mickiewicz University Poznan
• Relacja: http://pressto.amu.edu.pl/index.php/pss/article/view/49058/39839
• Temat i słowa kluczowe:
  Postimperial and border narratives;
  Fiume exploit;
  Gabriele D’Annunzio;
  Postimperijalne i granične naracije;
  'Fiume exploit';
  Gabriele D'Annunzio
• Identyfikator: http://pressto.amu.edu.pl/index.php/pss/article/view/49058
• Dostawca danych:
  Platforma Otwartych Czasopism Naukowych UAM
• Czy mogę z tego obiektu skorzystać?:
  poproś o pozwolenie
• Rodzaj zawartości:
  teksty