Object's details: Liminal and Limioid in Dubravka Ugrešić’s Writing

Provider:Platforma Otwartych Czasopism Naukowych UAM

Description

Title:
Liminal and Limioid in Dubravka Ugrešić’s Writing
Creator:
Ryznar, Anera
Description:
The experience of borderlines, displacement, and non-belonging has fundamentally defined Dubravka Ugrešić’s writing, as well as her personal biography. Initially as an exile, an outcast from national culture, and later as a transnational author and intellectual, she was marked by a position of permanent liminality, existing betwixt and between (Turner) rigid national, social and political structures. The experience of liminality is also embodied in her writing, primarily in the exploration of the topic of exile in the novels The Museum of Unconditional Surrender and The Ministry of Pain. In her later novels the liminal gives way to the liminoid, understood as a particular regime of writing characterized by playfulness, performativity, subversion but also a utopian sense of literary communitas. This paper outlines this shift and demonstrates, using the novel Fox (2017) as an example, how the concepts of the liminal and the liminoidcan contribute to a critical reading of Ugrešić’s fiction.;
Iskustvo granice, izmještenosti i nepripadanja suštinski je odredilo književnost Dubravke Ugrešić, kao i njezinu biografiju. U početku kao egzilantkinja, izopćenica iz nacionalne kulture, a kasnije kao transnacionalna autorica i intelektualka, bila je obilježena stanjem permanentne liminalnosti, pozicijom bivanja između (betwixt and between, Turner) krutih nacionalnih, socijalnih i političkih struktura. Iskustvo liminalnosti također se otjelovilo i u njezinu pismu, prvenstveno u raspisivanju teme egzila u romanima Muzej bezuvjetne predaje i Ministarstvo boli. U njezinim kasnijim romanima liminalnost ustupa mjesto liminoidnosti kao specifičnom režimu pisanja koji karakterizira igra, performativnost, subverzija, ali i utopijsko shvaćanje književnog communitasa. Analizirajući roman Lisica (2017), ovaj rad nastoji opisati taj pomak i pokazati kako koncepti liminalnosti i liminoidnosti mogu pridonijeti kritičkom čitanju Ugrešićine proze.
Object availability:
free access
Rights: https://creativecommons.org/licenses/by/4.0 ;
Prawa autorskie (c) 2025 Anera Ryznar
Date:
2025.07.24
Type:
info:eu-repo/semantics/article;
info:eu-repo/semantics/publishedVersion
Language:
Croatian
Source:
Poznańskie Studia Slawistyczne; No. 28 (2025): Boundaries in literature – setting, erasing and transgressing; 249-261;
Poznańskie Studia Slawistyczne; Nr 28 (2025): Granice w literaturze – wyznaczanie, zacieranie i przekraczanie; 249-261;
2450-2731;
2084-3011
Format:
application/pdf
Publisher:
Adam Mickiewicz University Poznan
Relation: http://pressto.amu.edu.pl/index.php/pss/article/view/49086/39860
Subject:
liminality;
liminoid;
performativity;
trickster;
Russian avant-garde;
Oberiu;
communitas;
liminalnost;
liminoidnost;
performativnost;
trikster;
ruska avangarda
Identifier: http://pressto.amu.edu.pl/index.php/pss/article/view/49086
Data provider:
Platforma Otwartych Czasopism Naukowych UAM

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