Description

• Title:
  Illusions of presence. The body in Krzysztof Kieślowski’s No end
• Creator:
  Kulessa, Kamila
• Description:
  This paper aims at providing an analysis of Krzysztof Kieślowski’s film No end (1984), focused mainly on representations of corporality. The article attempts to interpret possible meanings of the phantasmatic dimension of existence and its impact on the reality constructed in the film. It also examines issues related to identification and the articulation of sensuous presence in cinematic images.
• Object availability:
  free access
• Rights:
  Prawa autorskie (c) 2019 Kamila Kulessa
• Date:
  2019.04.16
• Type:
  info:eu-repo/semantics/article;
  info:eu-repo/semantics/publishedVersion;
  Artykuł naukowy
• Language:
  Polish
• Source:
  Przestrzenie Teorii; No. 30 (2018); 315-328;
  Przestrzenie Teorii; Nr 30 (2018); 315-328;
  2450-5765;
  1644-6763
• Format:
  application/pdf
• Publisher:
  Adam Mickiewicz University Poznan
• Relation: http://pressto.amu.edu.pl/index.php/pt/article/view/18819/18531
• Subject:
  body;
  film;
  subjectivity specter
• Identifier: http://pressto.amu.edu.pl/index.php/pt/article/view/18819
• Data provider:
  Platforma Otwartych Czasopism Naukowych UAM
• Can I use it?:
  seek permission
• Type:
  text