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Diabeł w operze. „Pajac” Tomasza Manna w kontekście „Fausta” Johanna Wolfganga Goethego

Object's details: Diabeł w operze. „Pajac” Tomasza Manna w kontekście „Fausta” Johanna Wolfganga Goethego

tile.noImage

Provider:Repozytorium Uniwersytetu Łódzkiego

Description

Title:
Diabeł w operze. „Pajac” Tomasza Manna w kontekście „Fausta” Johanna Wolfganga Goethego
Creator:
Pilipowicz, Andrzej
Contributor:
Katedra Filologii Germańskiej, Uniwersytet Warmińsko-Mazurski w Olsztynie, ul. Kurta Obitza 1, 10-725 Olsztyn.
Description:
The protagonist of Thomas Mann’s short story "The Clown" ("Der Bajazzo") cannot became an artist because he hasn’t got enough talent. He is also unable to live among people as an ordinary citizen because his social competencies haven’t been completely developed. That is why he can be regarded as a literary figure who tries to leave the real world and to penetrate the literary world. The devil who appears in Charles Gounod’s opera "Faust" based on Johann Wolfgang Goethe’s drama "Faust" and who is watching the protagonist from the stage during the opera performance seems to be the only person who can help him to find his existential space.
Object availability:
free access
Rights:
© Copyright by Uniwersytet Łódzki, Łódź 2015
Date:
2016.06.30;
2015
Type:
Article
Language:
Polish
Format:
application/pdf
Publisher:
Wydawnictwo Uniwersytetu Łódzkiego
Relation:
Acta Universitatis Lodziensis. Folia Germanica;11
Subject:
German Literature;
French Opera;
Mann;
Goethe;
Gounod
Identifier:
1427-9665;
http://hdl.handle.net/11089/18582 ;
2449-6820;
10.18778/1427-9665.11.15
Data provider:
Repozytorium Uniwersytetu Łódzkiego

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