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Jamie Beck’s “Cinemagraphs” in the context of dramatic theory of literature

Object's details: Jamie Beck’s “Cinemagraphs” in the context of dramatic theory of literature

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Provider:Platforma Otwartych Czasopism Naukowych UAM

Description

Title:
Jamie Beck’s “Cinemagraphs” in the context of dramatic theory of literature
Creator:
Woźniak, Ewelina
Description:
The purpose of this article is to present works of a New York photographer Jamie Beck, who developed a new type of moving photography – cinemagraphs, and look at her work from the perspective of the dramatic theory of literature. Jamie Beck in her works redefines many notions related to the visual realm. Movement and time relationship, the model identity and the impact of material on the image perception are the most interesting problems, that are connected with cinemagraphs. All these issues are analyzed in relation to fields dealing with image: André Rouille’s and Roland Barthes’ photographic theories, art history represented by Georges Didi- Huberman and Rudolf Arnheim’s “the psychology of creative eye”.
Object availability:
free access
Date:
2012.01.01
Type:
info:eu-repo/semantics/article;
info:eu-repo/semantics/publishedVersion;
Artykuł naukowy
Language:
Polish
Source:
Przestrzenie Teorii; No. 17 (2012); 89-103;
Przestrzenie Teorii; Nr 17 (2012); 89-103;
2450-5765;
1644-6763
Format:
application/pdf
Publisher:
Adam Mickiewicz University Poznan
Relation: http://pressto.amu.edu.pl/index.php/pt/article/view/3368/3379
Subject:
ruchome fotografie;
dramatyczna teoria;
cinemagraphs
Identifier: http://pressto.amu.edu.pl/index.php/pt/article/view/3368
Data provider:
Platforma Otwartych Czasopism Naukowych UAM

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