Description

• Title:
  „Why do we need art history?” In the 21st century – in the context of the 20th century history of the discipline
• Creator:
  Pawłowska, Aneta
• Contributor:
  Faculty of Philosophy and History, Chair of History of Art, University of Łódź;
  Aneta Pawłowska, professor, Faculty of Philosophy and History, Chair of History of Art, University of Łódź. She specializes in South African art and culture. Her research interests include: contemporary art, 20th century gender art and history and theory of collections Her current research focuses on Audio description. Selected publications: Books: Pro Arte. Monografia grupy warszawskich artystów 1922–1932 [The Pro Arte Artistic Group (1922–1932)], Warszawa, Wydawnictwo Neriton 2006; pp. 188; Sztuka i kultura Afryki Południowej. W poszukiwaniu tożsamości artystycznej na tle przekształceń historycznych [Art and Culture of South Africa. In search of artistic identity of South Africa, as influenced by historical transformations], Łódź, Wydawnictwo Uniwersytetu Łódzkiego 2013, pp. 406. Articles: The Roots of Black Post-Apartheid Art in South Africa, „Art Inquiry” 2004, pp. 81–104; Some Remarks Regarding Contemporary South African Art in the Context of Political Changes and Stability of Artistic Principles, „Studies of the Department of African Languages and Cultures” 2013, no. 47, pp. 47–66.;
  pawlowska@uni.lodz.pl
• Description:
  Creativity is now an exposed trait. This is due to the high need for innovation, original and useful solutions that serve the development of the organization, their effective market entry and long-term survival. This publication is a collection of papers prepared under The First National Conference “CREATIVE VIBES. Kreatywnością napędzamy gospodarkę”, whose aim was to stir issues concerning the significance of creativity from the point of view of the development of innovative economy, as well as to draw attention to the role of creativity in the education process of students and its impact on the development of professional competence.;
  The article presents various approaches to the methodology of modern and contemporary art history. It provides signposts and a set of possible orientations toward the field of art history, by presenting some of the theoretical perspectives most widely used in the discipline today (e.g. historiography, iconography, ‘iconic turn’or the most recent concept – ‘Relational Aesthetics’). The aim of this article is to present art as a visual representation of a range of concepts and emotions as well as to examine the progress of different ways in which people study, interpret and appreciate art in its richness and multitude of forms.
• Object availability:
  free access
• Rights:
  © Copyright by Aneta Pawłowska, Łódź 2015; © Copyright for this edition by Uniwersytet Łódzki, Łódź 2015
• Date:
  2016.04.11;
  2015
• Type:
  Book chapter
• Language:
  English
• Format:
  application/pdf
• Publisher:
  Wydawnictwo Uniwersytetu Łódzkiego
• Relation:
  “Creativity and Innovation in Business and Education”, ed. J. Bieńkowska, Ser. Management, Wydawnictwo Uniwersytetu Łódzkiego, Łódź 2015;
• Subject:
  art history;
  iconography;
  iconic turn;
  contemporary art;
  culture
• Identifier:
  A. Pawłowska, „Why do we need art history?” In the 21st century – in the context of the 20th century history of the discipline, [in:] Creativity and Innovation in Business and Education, ed. J. Bieńkowska, Ser. Management, Wydawnictwo Uniwersytetu Łódzkiego, Łódź 2015, p. 113-124.;
  http://hdl.handle.net/11089/17757 ;
  978-83-8088-073-3;
  10.18778/8088-073-3.11
• Data provider:
  Repozytorium Uniwersytetu Łódzkiego
• Can I use it?:
  seek permission
• Type:
  text