Description

• Title:
  Orthodoxy Goes Pop: Rock Music and Cultural Hegemony in Serbia
• Creator:
  Jovanović, Miloš
• Description:
  The paper deals with the symbolic struggles over cultural hegemony in contemporary Serbia. Two rock albums, Одбрана и последњи дани by Idoli (1982), and a compilation Песме изнад истока и запада (2001) have been chosen as case studies. The narratives and discourses contained, as well as those induced by the records, are identified and analysed. Both albums engage with Orthodox Christian motifs and themes. The different socio-political contexts in which they appeared shaped the meanings, together with cultural and political effects they helped produce.
• Object availability:
  free access
• Rights: https://creativecommons.org/licenses/by-nc-nd/4.0 ;
  Prawa autorskie (c) 2024 Miloš Jovanović
• Date:
  2025.07.02
• Type:
  info:eu-repo/semantics/article;
  info:eu-repo/semantics/publishedVersion
• Language:
  English
• Source:
  Res Facta Nova. Teksty o muzyce współczesnej; No. 25 (34) (2024); 41-54;
  Res Facta Nova. Teksty o muzyce współczesnej; Nr 25 (34) (2024); 41-54;
  2544-9303;
  1897-824X
• Format:
  application/pdf
• Publisher:
  Adam Mickiewicz University Poznan
• Relation: https://pressto.amu.edu.pl/index.php/rfn/article/view/49997/40465
• Subject:
  Hegemony;
  Symbolic struggles;
  Rock;
  New wave;
  Serbian Orthodox Church
• Identifier: https://pressto.amu.edu.pl/index.php/rfn/article/view/49997
• Data provider:
  Platforma Otwartych Czasopism Naukowych UAM
• Can I use it?:
  seek permission
• Type:
  text