Description

• Title:
  “I saw Othello’s visage in his mind”, or “White Mask, Black Handkerchif”: Satoshi Miyagi’s Mugen-Noh Othello and Translation Theory
• Creator:
  Motohashi, Ted
• Contributor:
  Tokyo University of Economics, Japan
• Description:
  This paper tries to detect key elements in the translated performance of Shakespeare by focusing on Satoshi Miyagi’s “Mugen-Noh Othello” (literally meaning “Dreamy Illusion Noh play Othello”), first performed in Tokyo by Ku=Nauka Theatre Company in 2005, and subsequently seen in New Delhi, having now acquired a classic status of renowned Shakespearean adaptation in a foreign language that bridges a gap between the traditional form of Noh and the modern stage-presentation.
• Object availability:
  free access
• Rights:
  This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.;
  http://creativecommons.org/licenses/by-nc-nd/4.0
• Date:
  2017.02.03;
  2016.12.30
• Format:
  application/pdf
• Publisher:
  Lodz University Press
• Relation:
  Multicultural Shakespeare;14
• Subject:
  translation;
  Shakespeare;
  Mugen-Noh;
  Desdemona;
  Othello
• Identifier:
  2083-8530;
  http://hdl.handle.net/11089/20488 ;
  2300-7605;
  10.1515/mstap-2016-0015
• Data provider:
  Repozytorium Uniwersytetu Łódzkiego
• Can I use it?:
  check license
• Type:
  other