Opis

• Tytuł:
  Metaphor and the Philosophy of Art
• Twórca:
  Leddy, Thomas
• Opis:
  Late 20th century philosophy has been deeply involved in a debate between realism and anti-realism. My particular area of interest is aesthetics/philosophy of art (henceforth “aesthetics”). The debate between realists and anti-realists has raged for many years through the various problem-areas of aesthetics: evaluation, interpretation, representation, creativity, essence of art, and ontology of the work of art. Of course one can be a realist with respect to one kind of thing and not with respect to another. Typically, however, if one is a realist in one problem-area one will be a realist in others. For example, if one is a realist in theory of evaluation then one will probably also be a realist about interpretation, about the nature of art, and about the ontology of art. Realists hold that things exist as they are independently of other things.
• Dostępność obiektu:
  Dostęp otwarty
• Prawa:
  Prawa autorskie (c) 2017 Theoria et Historia Scientiarum
• Data:
  2007.01.02
• Typ:
  info:eu-repo/semantics/article;
  info:eu-repo/semantics/publishedVersion
• Język:
  angielski
• Źródło:
  Theoria et Historia Scientiarum; Vol. 6 No. 1 (2002): Metaphor: A Multidisciplinary Approach; 43-64;
  Theoria et Historia Scientiarum; Tom 6 Nr 1 (2002): Metaphor: A Multidisciplinary Approach; 43-64;
  2392-1196;
  0867-4159
• Format:
  application/pdf
• Wydawca:
  Nicolaus Copernicus University in Toruń
• Relacja: https://apcz.umk.pl/THS/article/view/ths.2002.003/13445
• Temat i słowa kluczowe:
  methaphor;
  phillosophy of art;
  aesthetics;
  realists;
  anti-realists
• Identyfikator: https://apcz.umk.pl/THS/article/view/ths.2002.003
• Dostawca danych:
  Akademicka Platforma Czasopism
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