Opis

• Tytuł:
  Semiotics of the hangman and victim’s faces
• Twórca:
  HENDRYKOWSKI, MAREK
• Opis:
  Semiotics of the hangman and victim’s facesMurderous ideologies drive and fabricate innumerable forms of social falsehood. One of the objects of the perfidious falsification of reality generated in the totalitarian system is the human face. Drawing on classics of Polish and world cinema, and also on the memory of culture, Marek Hendrykowskis study contains a semiotic analysis of the deep structures of images, which present the executioner-victim based on violence executioner as a variant of inter-human relations in totalitarian systems.
• Dostępność obiektu:
  Dostęp otwarty
• Prawa: https://creativecommons.org/licenses/by-nc-nd/4.0/
• Data:
  2016.10.09
• Typ:
  info:eu-repo/semantics/article;
  info:eu-repo/semantics/publishedVersion;
  Artykuł naukowy;
  recenzja;
  wywiad
• Język:
  polski
• Źródło:
  Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; Vol. 18 No. 27 (2016): Cinema under Pressure; 354-364;
  Images. The International Journal of European Film, Performing Arts and Audiovisual Communication; Tom 18 Nr 27 (2016): Cinema under Pressure; 354-364;
  2720-040X;
  1731-450X
• Format:
  application/pdf
• Publisher:
  Adam Mickiewicz University Poznan
• Relation: http://pressto.amu.edu.pl/index.php/i/article/view/7525/7567
• Subject:
  victim;
  hangman;
  face;
  totalitarianism;
  normal;
  monster;
  totalitarian interface;
  poetics;
  aesthetics;
  rhetorics;
  photography;
  image;
  moving image;
  fact;
  reality;
  memorization;
  testimony;
  atrocity;
  degradation;
  constraint;
  abusement;
  prison;
  concentratio
• Identifier: http://pressto.amu.edu.pl/index.php/i/article/view/7525
• Data provider:
  Platforma Otwartych Czasopism Naukowych UAM
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